Cure Three Imaginary Boys

The Cure - "Three Imaginary Boys" Album Overview

Released in 1979, "Three Imaginary Boys" is the debut album by the British rock band The Cure. Showcasing a raw and minimalist sound, this record stands in stark contrast to the gothic and atmospheric textures the band would come to be known for in their later years. Nonetheless, the foundations of The Cure's unique style are evident.

Key Highlights

• Origins: While the band's later works would delve deep into melancholy and gothic rock, "Three Imaginary Boys" showcases more of a post-punk edge mixed with pop sensibilities.

• Artwork: The cover of the album features a lamp, a fridge, and a vacuum cleaner instead of the band's members, which was a decision made by the record label rather than the band. It's often seen as a symbolic representation of the band members: everyday, ordinary, and mundane.

• Track Presentation: Instead of titles, the back cover showed symbols for each track. The band didn't like this, and Robert Smith later stated his distaste for the whole presentation, saying it was more representative of the label's ideas than the band's.

Standout Tracks

• "10:15 Saturday Night": Known for its dripping tap intro and melancholic lyrics about loneliness and alienation, it's a standout track that hints at The Cure's future atmospheric sound.

• "Accuracy": A simple post-punk track that showcases Smith's budding songwriting skills and the band's tight musicianship.

• "Fire in Cairo": With its infectious chorus and chiming guitars, it's a bright spot on the album and showcases the poppier side of The Cure.